If you have dabbled in clawhammer at all, I'm sure someone, somewhere has mentioned the phrase "bum-titty" or some variation thereof to you. I am convinced that the popularity of this approach to the rhythm of clawhammer comes from Pete Seeger's use of the term in his 1948 publication, How to Play the 5-String Banjo. Through the 1950s and most of the 1960s "Folk Boom," that book was the only good method available for teaching, and many of us who played and taught through those years adopted Seeger's approach to teaching the instrument.
Since then, I have moved away from that approach, preferring to introduce a beat-oriented method. In its simplest form, clawhammer consists of playing the instrument by using a fingernail to strike down on the strings on each beat.
Please note: All these excercises assume your banjo is tuned gDGBD, aka "open G tuning."
Try this: Strike downward on the 1st string open on each beat as indicated:
Note that I use only the middle finger nail for the downstroke; many people prefer the index finger. I'm holding my index finger away so you can see more clearly. And no, there is nothing wrong with my middle fingernail. It's merely painted white in an effort to make it more visible:
(You can download this--and all these videos--by simply right-clicking and saving.)
(You can download this--and all these videos--by simply right-clicking and saving.)
Of course, we don't usually play the same note so repeatedly, so try:
(You can download this--and all these videos--by simply right-clicking and saving.)
(You can download this--and all these videos--by simply right-clicking and saving.)
(You can download this--and all these videos--by simply right-clicking and saving.)